» 


oeLc.  Ill  <f  32.0  4,*$ 


CATALOGUE 

OF 


Mr.  CHARLES  F.  HASELTIHE’S 


k"H 


COLLECTION 

OF 

OIL  PAINTINGS 

* 

AND  AQUARELLES, 

Comprising  extraordinary  examples  of  the 


FRENCH,  SPANISH,  ITALIAN,  GERMAN,  BELGIAN,  DANISH,  ENGLISH 
AND  AMERICAN  ARTISTS, 

MAKING  ALTOGETHER  ONE  OP  THE  MOST  REMARKABLE  COLLECTIONS  OF 
ART  EVER  OFFERED  FOR  SALE  IN  AMERICA. 


The  whole  Collection  will  be  offered  at  Public  Sale, 

4  •  } 

ON  THE  EVENINGS  OF 

Monday,  Tuesday,  Wednesday,  Thursday  and  Friday, 

February  23d,  24th,  25tli,  26th  and  27th,  1874, 

COMMENCING  EACH  EVENING  AT  1%  O’CLOCK. 


NOW  ON  FREE  EXHIBITION, 

DAY  AND  EVENING, 

At  his  Galleries,  No.  1125  Chestnut  Street,  Philadelphia, 


WHERE  IT  WILL  BE  SOLD. 


Si 


. 


. 


■ 


. 


■ 

■ 


* 


“ 


VERY  IMPORTANT  NOTICE ! 


The  Collection  of  Art  that  Mr.  Haseltine  offers  at  this  sale  he 
considers  as  fine  as  any  that  he  has  ever  had  in  his  Galleries.  It 
contains  a  large  part  of  the  finest  pictures  exhibited  last  January, 
together  with  over  one  hundred  very  important  new  pictures  not  seen 
at  that  time.  Although  the  eutire  sale  is  not  announced  as  peremp¬ 
tory,  without  reserve,  yet  a  large  number  will  be  so  disposed  of,  and 
those  pictures  limited  will  be  sold  at  a  large  percentage  under  their 
cost,  as  Mr.  Haseltine  is  always  prepared  to  sell  any  of  his  pictures 
cheap,  when  he  offers  them  at  public  sale,  although  he  does  not  feel 
disposed  to  give  them  away  by  forcing  them  upon  persons  who  do  not 
want  them,  and  will  only  buy  in  case  it  is  a’ tremendous  sacrifice  of 
value.  In  his  sale  last  January,  over  one-half  of  the  pictures  were 
positively  sold  for  what  they  would  bring.  This  circumstance  is 
mentioned  to  show,  that  while  some  pictures  are  protected,  a  large 
number  are  really  sold. 

Gentlemen  who  desire  to  purchase  on  credit,  are  expected  to  con¬ 
fer  with  Mr.  Haseltine  previous  to  the  sale.  There  are  always  a 
great  many  persons  who  would  desire  to  avail  themselves  of  an  oppor¬ 
tunity  like  the  present  to  buy  fine  paintings,  if  they  could  without 
trouble  exchange  one  security  for  another.  Mr.  Haseltine  will  arrange 
with  such  parties,  to  take  in  payment  for  purchases 

GOOD  MORTGAGES  OR  GROUND-RENTS, 

AND 

STOCKS  AND  BONDS  THAT  ARE  MARKETABLE, 

but  this  must  be  attended  to  previous  to  the  sale. 


The  following  Artists  are  Represented: 

FOREIGN. 


Heuillant, 

Kinderoch, 

Beyle, 

Neustadter, 

A.  Achenbach, 

Coomans, 

Burnier, 

RafFaelli, 

Gonzalez, 

Kaehmerer, 

Lasalle, 

Grips, 

F.  Aug.  Bonheur, 

Schneider, 

Franz, 

Benneckenstei  n 

Chs.  F.  Daubigny, 

Kuarren, 

Moormans, 

Hampe, 

Firmln  Girard, 

Vely, 

Andriotto, 

Saurfelt, 

Brillouin, 

Seibels, 

Parrot, 

Picou, 

Van  Marcke, 

Chartran, 

Masse, 

Schultze, 

Cortazzo, 

Navone, 

Le  Grand, 

Frankel, 

Van  Schendel, 

Diaz, 

Liardo, 

Vernier, 

Carl  Muller, 

Chaplin, 

Andre, 

Veron, 

Castan, 

Compte, 

Accard, 

Schlosser, 

Heilmeyer, 

Landelle, 

Rota, 

De  Bergue, 

H.  Ten  Kate, 

Roybet, 

Maccari, 

Lepinay, 

Neuheys, 

Gonin, 

Bouguereau, 

Reimer, 

Lecompte  Dunouy, 

Chavet, 

Boulanger, 

Rene  Menard, 

Asturdin, 

Bertrand, 

Beranger, 

Tortez, 

Tusquetz, 

Jacque, 

Zamacois, 

Beauverie, 

De  Jonghe, 

Richet, 

Boutibonne, 

Comeleran, 

Van  Leemputten, 

Levy, 

Escosura, 

Litschauer, 

Kuwasseg,  fils, 

Tissot, 

De  Nittis, 

Surreau, 

Louis  Jiminez, 

Alvarez, 

Richomme, 

Crudor, 

A.  Corrodi, 

Pittara, 

Castiglione, 

Bodin, 

H.  Corrodi, 

Worms, 

Spitzweg, 

Grosholtz, 

S.  Corrodi, 

Amberg, 

De  Noter, 

Vinck, 

Alboy  Rebouet, 

Pasini,  • 

Lefevre, 

Schmidt, 

Jules  Goupil, 

Ricci, 

Signorinl, 

Roy, 

Giacommotti, 

Hamman, 

Simoni, 

Ponti, 

Karl  Daubigny, 

Perrauit, 

Garcia, 

Janvier, 

Otto  Weber, 

Faustini, 

Santoro, 

Felix, 

Walilberg, 

Carolus, 

Toeschi, 

Denain, 

Raoul  Marie, 

Richter, 

Lemaire, 

Latouche, 

Decamp, 

Seratrice, 

Michetti, 

Tabouin, 

Cecile  Ferrare, 

Tapiro, 

Melida, 

Voltain, 

De  Vega, 

Ferrari, 

Cipriani, 

Eugene, 

De  Garay, 

Gontier, 

Romako, 

Guilleminet, 

De  Faux, 

Marchetti, 

Marchaux, 

Mortimer. 

Bakalowicz, 

AMERICAN. 

Kensett, 

J.  G.  Brown, 

Mignot, 

Moore, 

Ramsey, 

C.  V.  Brown, 

Dyke, 

Lambdin, 

Nicholson, 

Casilear, 

W m.  Hart, 

Briscoe, 

Hamilton, 

Wall, 

Linford, 

Lewis, 

Wood  well, 

McClurg, 

Sully, 

Simon, 

Williams, 

Trotter, 

Thomas, 

Shearer, 

Bristol, 

May, 

Hill, 

Rehn. 

Lauman, 

Gumpert, 

Foxcroft  Cole, 

CATALOGUE 


PAUL  BRINKERMANN,  Dusseldorf. 

After  Kretzschmer. 

First  Lessons. 

The  Trial  of  Patience. 

ALEXANDRE  DE  VRIES,  Paris. 

After  Wouvermans. 

The  Arrival. 

The  Departure. 

OTTO  GRIEB,  Munich. 

After  Meyerheim. 

The  Grandmother’s  Darling. 
Grandfather’s  Pipe. 

A.  TABOUIN,  Geneva. 

View  near  Geneva. 


View  near  Lucerne. 


6 


10. 


N.  MORTIMER,  Paris. 
Scene  on  the  Moselle. 
View  in  Champagne. 


11. 


12. 


A.  CRUDOR,  Paris. 

View  near  Belfort. 
Scene  below  Mulhouse. 


13. 


14. 


P.  SUREAU,  Paris. 
Garden  Flowers. 
Newly  Gathered. 


15.  TONY  DE  BERGUE,  Paris. 

Dieppe. 

Especial  attention  is  requested  to  this  specimen  of  De  Bergue.  It  is 
not  too  much  to  say  that  nothing  finer  by  him  has  ever  been 
exhibited. 


16. 


GAILLARD  LEPINAY,  Paris. 
Off  Calais. 

A  splendid  Marine. 


17. 


18. 


LOUIS  DE  BERG,  Paris. 
Near  Brest. 

On  the  Coast  near  Havre. 


7 


19.  PIERRE  DU  BOIS,  Paris. 

After  De  Dreux. 

The  Rest. 

\ 

20.  J.  TABIOT.  Paris. 

After  Guignet. 

The  Halberdier. 

21.  On  Guard. 


EDMUND  D.  LEWIS. 

The  Susquehanna,  near  Port  Deposit,  Md. 
Scene  in  the  Catskills. 

24.  C.  H.  SHEARER,  Reading. 

Near  Cresson,  Pa. 

25.  View  in  Northumberland. 

26.  ALFRED  WAHLBERG,  Paris. 

Medals,  1870,  1872  and  1873. 

•  Landscape — Brittany. 


22. 

23. 


No  one  of  the  new  and  rising  landscape  painters  of  France  is  ex¬ 
citing  the  interest  and  expectations  of  amateurs  as  this  artist, 
who  is  here  represented  by  his  most  important  and  greatest  work. 


8 


27.  A.  R.  VERON,  Paris. 

Landscape  View  in  Normandy. 

28.  View  in  Lorraine. 

A  pair  of  landscapes  of  the  most  artistic  description,  and  worthy  of 
the  attention  of  those  most  cultivated  and  educated  in  art. 


29.  H.  SCHULTZE,  Dusseldorf. 

The  Valley  of  Chamounix. 

One  of  the  most  beautiful  paintings  of  this  delightful  spot,  ever  im¬ 
ported  and  shown  in  the  country. 


30.  J.  JANVIER,  Paris. 

Winter  Twilight. 


31.  L.  R.  MIGNOT,  (deceased.) 

Vespers  on  the  Guyaquil. 

The  good  works  of  Mignot  have  become  scarce. 


32.  EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 
Landscape  in  France. 


32a. 


CHARLES  BEAUMONT. 
On  Seneca  Lake. 


9 


33. 


P.  GONTIER,  Paris. 


Amphilly. 


34. 


Rheims. 


35. 


J.  SAUERFELT,  Brussels. 


Washing  Day — A  Scene  in  Belgium. 

This  splendid  example  of  Sauerfelt  in  figure  art,  is  only  equalled  bv 
his  splendid  rendering  of  Old  World  street  subjects. 


36. 


J.  B.  A.  E.  BERANGER,  Paris. 


Medals,  1846  and  1848. 


The  Toilet. 


Finished  in  the  most  careful  and  elaborate  manner.  It  would  be 
difficult  to  find  a  more  delightful  specimen  of  this  artist,  who  is 
world  renowned  both  for  the  subject  of  his  pictures,  as  well  as 
the  careful  and  conscientious  way  in  which  they  are  finished. 
This  is  certainly  a  gem. 


37.  PIERRE  VAN  SCHENDEL,  Antwerp. 


Medals,  1844  and  1847. 

Market  Scene,  Amsterdam. 


Since  the  death  of  Van  Schendel,  his  works  are  becoming  very  rare, 
and  are  exceedingly  high  in  price.  This  is  truly  a  fine  work. 


VICTOR  JOSEPH  CHAVET,  Paris. 

Medals,  1853,  1855  and  1857.  Cross  of  the  Legion  of  Honor,  1859. 

The  Artist. 

An  exceedingly  brilliant  picture  of  one  of  Europe’s  most  celebrated 
and  skillful  men. 


CHESTERFIELD  RAMSGATE,  London. 

After  a  celebrated  painting. 

Checkmated. 

Mated. 


FERDINAND  ROYBET,  Paris. 

Medal,  1866. 

Still  Life. 

A  grand  still  life,  full  of  the  finest  quality,  but  perhaps  painted  in 
too  low  a  key  to  be  admired  by  those  not  up  in  art  matters. 


DAVID  DE  NOTER,  Brussels. 

Magnificent  Still  Life. 

Jt  is  unusual  for  such  a  superb  specimen  of  still  life  to  be  found  in 
any  private  collection,  much  less  in  a  sale  of  paintings  at 
auction. 


MILNE  RAMSEY. 


Objects  of  Nature  and  Art. 

Objects  of  Nature  and  Art. 

Gentlemen  desiring  to  adorn  their  dwellings  with  fine  works  of  art 
in  which  they  can  ever  find  pleasure  and  delight,  do  well  to 
secure  a  picture  or  pictures  by  this  justly  celebrated  painter. 


F.  FELIX,  Paris. 
Fruit. 


RENE  MENARD,  Paris. 

*  Homeward  Bound. 

A  fine  picture  by  the  pupil  of  Troyon,  and  fellow  student  with 
Auguste  and  Rosa  Bonheur. 

F.  GROSHOLTZ,  Munich. 

» 

View  in  Bavaria. 

H.  BENNECKENSTEIN,  Munich. 

Sunset  on  the  Rhine. 

A.  ASTURDIN,  Paris. 

Cottage  in  Bavaria. 


12 


50.  M.  KINDEROCH,  Munich. 

Swiss  Cottage  on  the  Road  to  Lucerne. 


51.  0.  SCHNEIDER,  Munich. 

Lake  of  Brientz. 

52.  Scene  in  Bavaria. 

A  pair  of  gems. 


53.  A.  TABOUIN,  Geneva. 

View  near  Geneva. 

54.  Do.  Companion. 


55.  L.  ALVAREZ,  Paris, 

The  Dancing  Lesson. 


A  charming  picture,  by  one  of  the  most  illustrious  of  the  Roman- 

Spanish  artists. 


56.  G.  TOESCHI,  Pere,  Rome. 

The  Visit  of  the  Cardinal. 

A  picture  of  great  merit,  by  an  artist  of  the  highest  reputation. 


57. 


J.  TABIOT,  Paris. 

After  Guignet. 

The  Robber. 


13 


58.  PAUL  BRINKERMANN,  Dusseldorf. 

After  Meyerheim. 

Grandfather’s  Favorite. 


59.  CHRISTIAN  SCHUSSELE. 

G.  W.  NICHOLSON, 

Gala  Day  amongst  the  Water  Sprites. 


60.  CHARLES  BEAUMONT. 

On  the  Danube. 


61.  EUGENE  ACCARD,  Paris. 

The  New  Book. 

This  artist’s  pictures  are  in.  great  demand  owing  to  their  excellence. 


62.  LOUIS  LASALLE,  Paris. 

The  Friends. 


A  most  beautiful  work  of  art. 


14 


63.  J.  GARCIA,  Rome. 

The  Rendevous. 

A  fine  oil  painting  of  the  Roman  School. 


64.  RAOUL  MARIE,  Paris. 

By  the  Water  Side. 

A  perfect  gem. 

65.  E.  M.  A.  ANDRE,  Paris. 

A  Day’s  Sport. 

Perfectly  exquisite. 

66.  J.  B.  BRISTOL,  New  York. 

The  Old  Dock  at  St.  Augustine,  Florida. 


67.  NARCISSE  DIAZ  DE  LA  PENA,  Paris. 

Medals,  1844,  1846,  1848.  Cross  of  the  Legion  of  Honor,  1851. 

Fontainebleau. 


Mr.  Haseltine  recommends  those  desiring  paintings  by  this  artist,  to 
secure  them  while  they  can,  for  dealers  are  finding  it  to  their 
interest  to  ship  all  they  can  find  and  buy  to  Europe,  where  they 
command  exceedingly  high  prices. 


LEON  RICHET,  Paris. 
Picardie. 


A  splendid  example  of  a  rapidly  rising  painter.  The  art  is  good,  and 
should  find  appreciation  with  the  best  informed. 


KARL  PIERRE  DAUBIGNY,  Paris. 

Medal,  1868. 

View  on  the  Seine. 

A  landscape  painter  of  the  greatest  promise.  Already  holding  high 
place  in  art,  he  doubtless  will  in  time  take  the  place  of  his 
illustrious  parent. 


S.  P.  DYKE. 
Autumn  in  Bucks  County. 


EDMUND  D.  LEWIS. 
Sunset  on  the  Susquehanna. 
Cottage  on  the  Hudson. 


CHARLES  BEAUMONT. 
On  the  Upper  Delaware. 


FRITZ  YOLTAIN,  Metz. 
Landscape  in  Brittany. 
View  near  Metz. 


16 


74. 

75. 


76. 


C.  H.  SHEARER,  Reading. 

On  the  Delaware  above  the  Water  Gap. 
On  the  Lehigh  above  Easton. 

S.  P.  DYKE. 

Winter  in  Chester  County. 


77.  N.  II.  TROTTER. 

The  Pets. 

78.  A.  S.  WALL,  Pittsburgh. 
Cloudy  Day  on  the  Alleghany. 

79.  S.  P.  DYKE. 

Scene  in  Western  Virginia. 


80. 


C.  H.  SHEARER,  Reading. 
In  the  Forest. 


17 


SECOND  EVENING’S  SALE. 

-  # 

/*  81- 

CARLO  PONTI,  Florence. 

After  Raffael. 

The  Virgin  of  the  Candelabras. 

82. 

Virgin  and  Child. 

83. 

\1 

PAUL  BRINKERMANN,  Dusseldorf. 

After  Meyer  Von  Bremen. 

H 

The  Good  Sister. 

After  Kretzschmer. 

84. 

Playing  Grandfather. 

,  -7 86. 

/D'V 

^  A  f  \.S 

ALEXANDRE  DE  VRIES,  Paris. 

After  Wouvermans. 

A  iu 

86. 

[  /  / 

Sounding  the  Charge. 

The  Fight  for  the  Standard. 

h°  87' 

|xv 

A 

F.  FELIX,  Paris. 

Game. 

2 

2 


F.  FELIX,  Paris. 
Game. 


18 


00 

00 

\ 

CHARLES  LINFORD,  Pittsburgh. 
View  near  Pittsburgh. 

89. 

B.  EUGENE,  Paris. 

On  the  Outskirts  of  Zurich. 

90. 

| 

A.  DENAIN,  Paris. 

Scene  in  the  South  of  France. 

91. 

•  -s  U 

ar4^> 

L.  P.  WOODS,  Nuremburg. 

View  near  Leipsic. 

Near  Dresden. 

* 

A?' 

■  A?' 

Wr 

J.  DE  NITTIS,  Paris. 

Twilight. 

94. 

fij^r  J* 

pr 

J.  H.  LAUMAN,  Pittsburgh. 

View  on  Chartier’s  Creek. 

95. 

A.  R.  YERON,  Paris. 

The  Approaching  Storm. 

A  splendid  Landscape. 

19 


S.  P.  DYKE. 

View  in  Western  Virginia. 


97.  EMILE  VAN  MARCKE,  Paris. 

Medals,  1867,  1869  and  1870.  Cross  of  the  Legion  of  Honor,  1872. 

Landscape  and  Cattle. 

The  works  of  this  artist  command  prices  like,  and  are  esteemed  equal 
to,  Rosa  and  Auguste  Bonheur,  and  even  Troyon,  his  master. 


98.  OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 

Driving  Cattle  in  Northern  Italy. 

99.  Treading  Out  the  Wheat. 

Mr.  Haseltine  considers  these  the  best  examples,  in  quality,  of  the 
artist  that  have  ever  been  exhibited  in  America  to  his  knowl¬ 
edge.  Almost  all  of  Weber’s  pictures  are  splendid.  Every  col¬ 
lector  of  the  best  works  of  the  masters  should  nossess  one. 


100. 


A.  MARCHETTI,  Rome. 

The  Market  Gardener’s  Friends. 

A  picture  that  has  attracted  great  attention  everywhe*. 


101.  RENE  MENARD,  Paris. 

Landscape  and  Cattle. 

A  beautiful  picture  by  the  pupil'of  Troyon,  and  fellow-student  with 
Rosa  and  Auguste  Bonheur. 


<N\ 


20 


* 


y  i- 


102.  J.  F.  KENSETT,  (deceased.) 

Glimpse  of  Mt.  Lafayette — New  Hampshire. 


J  M 


103.  WILLIAM  HART,  New  York. 

Autumn  on  Lake  George. 


4; 


104. 


J.  W.  CASILEAR,  New  York. 
Autumn  Lansdcape. 


/  f 


lU' 


105. 

}&Td 


ISAAC  L.  WILLIAMS. 
The  Cottage  Home. 


106.  H.  SIMON. 

Lake  George. 

107.  Autumn  on  Lake  Champlain. 

Certainly  as  beautiful  a  pair  of  painting  as  this  artist  has  produced 


108. 


F.  DECAMP. 

Castle  Schaurgelt  in  Thuringia. 

o  o 

Old  Castle  in  Savoy. 


109. 


21 


110.  CHARLES  CHAPLIN,  Paris. 

Ijt* ^  . 

'ff®  Medals,  1851,  1852  and  1865;  Cross  of  the  Legion  of  Honor,  1865. 

Preparing  for  the  Bath. 

In  the  subject  matter  of  his  pictures,  and  in  the  peculiar  method  of 
treatment  adopted,  Chaplin  stands  unrivalled.  The  refinement, 
delicacy,  and  grace  of  the  specimen  before  us,  would  make  a 
great  reputation,  did  he  not  already  possess  one. 


111.  P.  C.  COMPTE,  Paris. 

Medals  1852,  1853,  1855  and  1851.  Cross  of  the  Legion  of  Honor, 
1857.  Medal,  1867,  E.  U. 

Curiosity. 

Painted  in  the  very  best  manner  by  Compte,  and  unusually  good  in 
subject.  The  beauty  of  the  picture  is  manifest,  and  the  fame  of 
the  artist  world-wide. 


112.  JOSEPH  COOMANS,  Paris. 

The  Pet  Bird — A  Scene  from  the  Days  of  Pompeii. 

Perhaps  no  artist  is  better  known  through  his  engraved  works,  which 
have  stood  the  test  of  public  approbation  for  years. 


113.  ALBERT  PASINI,  Paris. 

Medals,  1859,  1863  and  1864.  Cross  of  the  Legion  of  Honor,  1868. 

Market  Scene  in  Cairo. 

This  is  a  perfect  gem  by  this  celebrated  painter,  and  is  worthy  of  a 
place  amongst  the  best  art. 


22 


114.  S.  F AUSTIN!,  Rome. 

The  Jewels. 

Beautiful  in  color,  and  fine  in  drawing  and  composition.  The  sub¬ 
ject  is  slightly  commonplace  but  interesting,  especially  to  the 
ladies. 


115.  JULES  WORMS,  Paris. 

Medals,  1867,  1868  and  1869.  Cross  of  the  Legion  of  Honor,  1873. 

The  New  Servant. 

The  quality  of  this  important  work  is  of  the  very  highest  order,  and 
artistically  is  not  surpassed  by  any  work  extant  by  the  artist. 


116.  P.  SERATRICE,  Rome. 

The  Siesta. 

In  the  style  which  made  Zamacois  so  famous,  it  is  so  well  done  that 
it  will  commend  itself  to  amateurs. 


|L/ 


117. 

C.  Y.  BROWN. 

i/  a  *  /iy 

-J  Is  A  1 1  * 

'  11  S  I  1/ 

The  Portfolio. 

118. 

( j 

C.  LATOUCIIE,  Paris. 

Claremont. 

119. 


Luttich. 


23 


120.  AUGUSTE  ROY,  Paris. 

Rheims. 

121.  P.  GUILLEMINET,  Paris. 

Fowls. 

122.  Fowls — Companion. 


123.  F.  FELIX,  Paris. 

Game. 

124.  Game — Companion. 


125.  ANDREAS  ACHENBACH,  Dusseldorf. 

Medals,  1839,  1845,  1848  and  1855.  Cross  of  the  Legion  of  Honor, 
1864.  Medal,  1867,  B.  U.  Grand  Gold  Medals  of  Prussia  and 
Belgium.  Chevalier  of  the  Legion  of  Honor,  and  of  the  Order 
of  Leopold.  Member  of  the  Itoyal  Academies  in  Berlin,  Amster¬ 
dam  and  Antwerp. 

On  the  French  Coast. 

The  paintings  of  Achenbach  are  very  high  and  very  hard  to  procure. 


126.  J.  SANTORO,  Rome. 


On  the  Tiber. 

Clear  in  atmosphere,  truthful  in  detail,  as  well  as  beautiful  and  ar¬ 
tistic  in  definition,  it  is  a  picture  that  an  art  lover  should  buy. 


24 


127.  EMILE  VERNIER,  Paris. 

Medals,  1869  and  18t0. 

On  the  French  Coast. 

128.  F.  D.  BRISCOE. 

Coast. 

129.  FRANK  REHN. 

The  Surf. 

130.  A.  CRUDOR. 

View  in  Lorraine. 

131.  View  near  Metz. 

• 

132.  N.  MORTIMER. 

View  on  the  Seine. 

133.  View  in  Alsace. 


134. 


MILNE  RAMSEY. 
Objects  of  Art. 


25 


135.  M.  D.  RAMSEY. 

Still  Life. 

136.  J.  S.  THOMAS. 

Apples. 

137.  J.  S.  HILL. 

.  Setter. 

138.  Hound. 


139.  F.  H,  GIACOMMOTTI,  Paris. 

Prize  of  Rome,  1854;  Medals,  1864,  1865  and  1866;  Cross  of  the 
Legion  of  Honor,  1867. 

The  Reverie. 

An  exquisite  picture  that  is  'well  known  to  the  art  public,  through 
the  beautiful  engraving  taken  from  it. 


140.  G.  FERRARI,  Rome. 

i 

Espionage. 

141.  Curiosity. 

The  works  of  Ferrari  are  not  often  seen  in  this  country.  His  pic¬ 
tures  are  fine  works  of  art,  and  are  expensive.  Mr.  Haseltine  is 
satisfied  that  they  will  meet  with  the  approval  of  the  public. 


26 


14*2.  A.  BODIN,  Paris. 

The  New  Dress. 

Finished  in  the  style  and  with  the  elegance  of  Toulmouche. 


143.  EDOUARD  RICHTER,  Paris. 

The  Stroll  by  the  Brook. 


144.  LITSCHAUER,  (deceased.) 

The  Armourer. 

One  of  the  best  German  pictures  in  the  sale,  and  by  a  celebrated  man. 


145.  R.  M*  TUDOR. 

Abide  with  Me. 


146.  CHESTERFIELD  RAMSGATE,  London. 

After  famous  Paintings. 

The  Story  Teller. 

147.  Gil  Bias. 


27 


148.  CARLO  PONTI,  Florence. 

After  Corregio. 

Virgin  and  Child. 

After  Raphael. 

149.  Virgin  and  Child. 

j 

150.  J.  G.  BROWN,  New  York. 

Hide  and  Seek. 

151.  C.  J.  SMITH. 

Phillipa. 

152.  G.  L.  GUMPERT. 

Only  her  Cousin. 

153.  INGOMAR  FRANKEL,  Paris. 

Andrea  del  Sarto  Declaring  his  Love. 

154.  JULES  MASSE,  Paris. 

The  Departure  for  the  Wars — Scene  During  the  First  Empire. 

A  choice  picture. 


28 


155.  G.  REIMER,  Munich. 

Hide  and  Seek. 


156.  L.  COMELERAN,  Paris. 

The  Serenade. 

A  beautiful  and  careful  picture. 


157.  HERMANN  TEN  KATE,  Amsterdam. 

Soiree  Musicale. 

Hermann  Ten  Kate  deservedly  enjoys  a  reputation  as  an  artist  of  the 
highest  character.  His  art  however  requires  no  introduction,  it 
always  appeals  to  the  refined  sensibilities  and  appreciation  of  its 
beholders. 


158.  ALBOY  REBOUET,  Paris. 

Le  Dejeuner. 

159.  The  Pet  Bird. 


Please  look  at  these  pictures  with  the  most  critical  eye,  and  judge 
whether  they  are  not  superb  in  subject  and  painting.  • 


160.  FRANZ  YINCK,  Brussels. 

The  Lovers. 


A  picture  with  all  the  characteristics  of  Baron  Leys,  and  excellently 
well  done  in  every  particular. 


29 


161.  VICTOR  TORTEZ,  Paris. 

The  Rivals. 

A  subject  interesting,  and  treated  in  a  peculiarly  attractive  and  for¬ 
cible  manner.  The  page  in  grey  tights  certainly  seems  deter¬ 
mined  that  the  other  gentleman  shall  not  pay'  attention  in  the 
direction  of  his  thoughts,  if  he  can  help  it. 


162.  A.  GRIPS,  Brussels.  . 

A  Flemish  Interior. 
The  Thoughtful  Mistress. 


168. 


THIRD  EVENING’S  SALE. 


C.  H.  SHEARER,  Reading. 
View  near  Reading. 
Scene  in  Beaver  County. 

§ 

N.  H.  TROTTER. 
Atlantic  City.  - 


CHARLES  LINFORD,  Pittsburgh. 
View  in  Alleghany  Co. 

F.  DECAMP,  Paris. 

Lake  Zug. 

F.  D.  BRISCOE. 

On  the  Juniata. 


31 


170. 


S.  P.  DYKE. 


Scene  in  Western  Virginia- 


171. 


P.  SURREAU,  Paris. 
Fruit. 


171a. 


ISAAC  L.  WILLIAMS. 
Valley  in  Lancaster  Co. 


172. 


178. 


EDMUND  D.  LEWIS. 

View  in  Maryland. 
Old  Mill  on  the  Lehigh. 


174. 


175. 


JAMES  HAMILTON. 
Out  at  Sea. 

Off  the  Coast. 


176. 


A.  S.  WALL,  Pittsburgh. 
The  Edge  of  the  Forest. 


32 


176a. 

CHARLES  BEAUMONT. 

Lake  George. 

176b. 

On  the  Orinoco. 

177.  J.  FOXCROFT  COLE,  Boston. 

A  Ram. 


178.  W.  SCHULTZE,  Munich. 

The  Expectant  Friends. 

179.  After  the  Thief. 

Two  of  the  best  pictures  of  the  Munich  School  in  the  collection. 


180.  L.  NEUSTADTER,  Munich. 

The  Sisters. 

A  most  beautiful  and  careful  picture. 


181.  J.  SIGNORINI,  Rome. 

The  Little  Peasant  Girl. 


An  exceedingly  pleasant  and  well  executed  picture. 


4 


33 

182.  •  P.  MICHETTI,  Paris. 

A  Hat  Full. 

183.  E.  M.  A.  ANDRE,  Paris. 

The  Postillion. 

This  is  one  of  Andre's  really  successful  and  clever  little  bits.  His 
art  is  always  desirable,  and  this  especially  so. 


184.  F.  FORT,  Munich. 

The  Pet  Pigeons. 

A  beautiful  subject  executed  in  a  choice  style. 


185.  JULES  GOUPIL,  Paris. 

Paying  Calls. 

An  exquisite  painting  of  the  highest  class. 

186.  CARL  SCI1LOSSER,  Paris. 

How  much  Apiece  ? 

Full  of  sentiment  aud  fine  feeling,  and  represented  in  a  fine  artistic 
manner,  it  forms  a  picture  that  would  adorn  any  collection. 

187  In  the  Cathedral. 

A  low-toned  picture,  replete  with  conscientious  art. 


34 


188. 


E.  H.  MAY,  Paris. 

Medal  1855. 
Waiting. 


189. 


A.  MARCHAUX,  Paris. 
The  Beautiful  Greek  Girl. 


190. 


A.  ROMAKO,  Rome. 
The  Star  of  Hope. 


191. 


RENE  LE  GRAND,  Paris. 


Taking  Refreshment. 


192. 


PIERRE  M.  BEYLE,  Paris. 
The  Performer’s  Pet. 


193. 


G.  W.  NICHOLSON. 
Scene  on  the  River  Lea,  England. 


194. 


G.  HAMPE,  Munich. 
-Scene  in  the  Bavarian  Tyrol. 


35 


194a.  •  CHARLES  BEAUMONT. 

Oberholfen — Lake  Thoune. 
194b.  Lake  Lugano. 


195.  C.  VAN  LEEMPUTTEN,  Brussels. 

Shepherd  and  Sheep. 

A  most  splendid  picture  of  sheep,  equal  to  Verbockhoeven. 


196.  EDMUND  D.  LEWIS. 
Haymaking  in  Maryland. 

197.  View  in  the  Franconia  Mountains. 

198.  C.  H.  SHEARER,  Reading. 

Near  Reading. 

199.  In  the  Alleghanies. 

200.  G.  SOMINI,  Rome. 

The  Morning  after  the  Ball. 


This  Aquarelle  is  superb,  really  superb,  and  cannot  fail  to  receive 
from  every  one  such  a  recognition.  The  artist  has  made  every 
touch  effective  and  beautiful.  It  should  sell  for  a  large  price. 


36 


201.  J.  DE  NITTIS,  Paris. 

The  Reverie. 

A  splendid  work,  and  one  that  Mr.  Haseltine  commends  to  the  notice 
of  those  loving  the  best  art.  There  is  really  nothing  finer  in  an 
artistic  sense  in  the  collection.  * 


202.  LOUIS  JIMINEZ,  Rome. 

The  Spanish  Cavalier. 


Another  brilliant  example  by  this  illustrious  man,  and  should  be 
competed  for  with  great  ardor. 


203.  J.  TAPIRO,  Rome. 

The  Mother’s  Pride. 

The  Roman  School  of  Art  has  assumed  of  late  a  place  in  the  world’s 
esteem  second  to  no  other — grafted  as  it  is  upon  that  of  the 
French  and  Spanish,  it  disputes  with  them  the  consideration  of 
those  most  cultivated  in  art. 


204.  N.  CIPRIANI,  Rome. 


Watching  the  Balloon. 

The  only  painting  by  Cipriani,  it  is  entitled  to  great  consideration 
from  Amateurs,  not  only  on  that  account,  but  also  for  its  great 
merit. 


37 


205.  CHARLES  CHAPLIN,  Paris. 


Medals,  1851,  1852  and  18C5;  Cross  of  the  Legion  of  Honor,  1865. 

-  The  Pretty  Waitress. 

The  works  of  Chaplin  are  so  well  known  as  scarcely  to  require  com¬ 
ment,  besides  which  in  another  part  of  the  Catalogue,  sentiment 
is  expressed  in  reference  to  his  work. 


206.  GUSTAVE  BOULANGER,  Paris. 

Prize  of  Rome,  1849.  Medals,  1857,  1859  and  1863.  Cross  of  the 
Legion  of  Honor,  1865.  Instructor  of  the  Government  School 
of  Art,  1869. 

The  Pompeian  Maid. 

One  of  the  most  beautiful  specimens  of  Boulanger  ever  offered  for 

sale.  * 


207.  C.  SPITZWEG,  Munich. 

The  Hermit  Hunter. 

Spitzweg  has  long  been  noted  in  the  art  world  as  an  artist  of  the 
first  class.  This  picture  is  a  perfectly  beautiful  gem  of  art. 


208.  PEDRO  DE  VEGA,  Rome. 

Picadore  in  a  Spanish  Wine  Shop. 


A  little  gem,  that  is  superb  in  every  respect,  color,  drawing  and  sub¬ 
ject.  Any  collection  in  the  country  could  well  afford  to  exhibit 
so  beautiful  a  picture. 


38 


208a.  F.  F.  DE  CRANO. 

Lizzie  Hexam. 

From  Dickens’  Mutual  Friend. 


209.  J.  DE  NITTIS,  Paris. 

The  Costumer’s  Shop. 

A  brilliant  example  and  rich  in  color.  Such  a  specimen  is  difficult 
to  obtain,  and  commands  a  high  price.  The  only  figure  picture 
in  oil,  by  De  Nittis,  in  the  collection. 


210.  •  JAMES  BERTRAND,  Paris. 

Medals,  1861,  1863  and  1869. 

Drowned. 

Tips  the  original  of  the  large  painting  of  the  same  owned  by  the 
French  Government,  is  considered  by  connoisseurs  as  being  in 
many  artistic  qualities  superior. 


211.  LEON  Y  ESCOSURA,  Paris. 


The  Decoration  of  Spain  and  several  distinctions. 


Fully  Absorbed. 

It  would  seem  to  be  unnecessary  to  call  attention  to  a  picture  by 
Escosura,  as  his  name  and  his  art  are  so  well  known  to  the 
whole  community,  and  it  is  particularly  unnecessary  to  speak 
of  such  a  perfect  little  gem  of  art. 


39 


212.  E.  M.  A.  ANDRE,  Paris. 

The  Argument. 

The  present  works  of  Andre  promise  the  greatest  things,  although  he 
is  well  appreciated  in  Paris  already,  he  has  the  assurance,  if  he 
maintains  his  reputation,  of  obtaining  a  very  high  place  in  the 
estimation  of  those  who  love  and  buy  high  priced  good  art. 


213.  A.  FAUSTINI,  Rome. 

The  First  Kiss  of  Love. 

A  fresh  new  picture  by  one  of  Italy’s  celebrated  painters,  and  full  of 
tender  sentiment. 


214.  M.  DE  GARAY,  Paris. 

Rival  Suitors. 

A  perfectly  brilliant  little  painting,  in  the  best  manner.  The  subject 
is  exceedingly  attractive  and  well  expressed. 


215.  CECILE  FERRARE,  Paris. 

Le  Dejeuner. 

A  picture  of  a  high  class,  and  singularly  well  executed.  The  sub¬ 
ject  is  excellent,  and  the  painting  irreproachable. 


216. 


♦ 


P.  KNARREN,  Brussels. 

The  First  Toy. 

A  splendid  picture,  painted  in  the  style  of  Floreut,  Willems. 


40 


217.  PHILLIPE  PARROT,  Paris. 

Medals,  1868,  1870  and  1872. 

Marguerite. 

A  picture  of  the  highest  merit. 


218. 


219. 


P.  SOLTAU,  Paris. 
Father  Ambrose. 
First  Lessons. 


220.  CARL  SUHRLANDT,  Scheverin. 

After  Landseer. 

Scene  in  the  Highlands. 


t 


41 


FOURTH  EVENING’S  SALE. 


221.  EDMUND  D.  LEWIS. 

Autumn  on  the  Saco  River,  near  the  White  Mountains. 

222.  Near  Stockbridge,  on  the  Housatonic. 

223.  C.  H.  SHEARER,  Reading. 

Near  Reading. 

224.  Near  Pottsville. 

225.  CHARLES  LINFORD,  Pittsburgh. 

The  Forest. 

226.  NEWBOLD  H.  TROTTER. 

The  Colt. 

227.  F.  DECAMP,  Paris. 

Brigenfeldt  Castle,  near  Darmstadt. 

228.  Sunset  on  the  Rhine. 


42 


229.  F.  D.  BRISCOE. 

On  the  Hudson. 


230.  ALEXANDER  DE  FAUX,  Paris. 

Beautiful  French  Landscape. 

The  name  of  the  picture  and  the  picture  itself  tell  the  story  together 
better  than  any  remarks. 

231.  ,  Landscape  and  Cattle. 

This  beautiful  scene  in  Picardie,  ranks  De  Faux  afresh  as  one  of  the 
best  landscape  artists  of  France. 


232.  H.  CORRODI,  Rome. 

View  on  the  Seine. 

233.  On  the  Moselle. 

Mr.  Haseltine  has  never  beheld  a  more  beautiful  pair  of  landscapes 
by  H.  Corrodi,  who  is  an  artist  very  highly  esteemed  in  Rome. 
They  were  selected  by  his  brother. 


234.  CHARLES  SEIBELS,  Dusseldorf. 

Holland  Landscape  with  Cattle. 

A  picture  with  the  finest  qualities  of  Andreas  Achenbach,  and  in 
itself  without  a  fault.  Really  a  great  work. 


43 


234a.  CHARLES  BEAUMONT. 

Scene  in  Wales. 

234b.  On  the  Rhine. 


235. 


C.  PITTARA,  Rome. 
The  Fox  Hunt. 

A  perfectly  splendid  work  of  art. 


236.  LEON  RICHET,  Paris. 

Medal,  1872. 

4  — 

Beautiful  French  Landscape. 

A  perfectly  superb  picture. 


236a.  ISAAC  L.  WILLIAMS. 

Bald  Eagle  Mountain,  Centre  Co. 


237. 


MILNE  RAMSEY. 
Candle  Light. 


44 


238. 


G.  SIMONI,  Rome. 


« 


The  Dessert. 


Thid  is  the  finest  Aquarelle  that  Mr.  Haseltine  has  ever  seen  by 
Simoni,  and  is  such  an  one  as  any  amateur  might  be  proud  in 
adding  to  his  collection  of  art,  however  brilliant  that  might 
be.  Without  question,  his  reputation  in  America  will  soon 
equal  that  which  he  already  enjoys  in  Europe. 


239.  EDOUARD  ZAMACOIS,  (deceased.) 


Medals.  186V,  1868  and  18V0. 

The  Cavalier’s  Repose. 


The  works  of  Zamacois  are  becoming  exceedingly  rare,  and  those 
collectors  who  have  not  already  secured  one,  had  better  avail 
themselves  of  the  opportunities  as  they  offer,  as  there  will  soon 
be  none  upon  the  market. 


240. 


S.  CORRODI,  Rome. 
Bay  of  Naples. 


241. 


Naples. 

A  most  careful  and  beautiful  pair  of  Aquarelles. 


242. 


F.  FRANZ,  Paris. 
Scene  in  France. 


45 


243.  L.  MARCHETTI,  Rome. 

The  Page. 

A  beautiful  example  by  this  artist,  and  the  only  Aquarelle  by  him  in 

the  sale. 


244. 


F.  LIARDO,  Rome. 


Petronella. 


A  most  attractive  Aquarelle,  and  finished  with  the  greatest  faithful¬ 
ness  and  care. 


245.  FIRMAN  GIRARD,  Paris. 

Medals,  1863  and  1872. 

Wounded. 

A  picture  of  the  greatest  power. 


246.  „  J.  B.  A.  E.  BERANGER,  Paris. 

Medals,  1846  and  1848. 

The  Little  Dressmaker. 


Like  the  other  specimen  of  this  artist  in  this  sale,  this  is  an  example 
of  the  very  highest  class. 


46 


247.  CHARLES  LEFEVRE,  Paris. 

Medals,  1833,  1845,  1855;  Cross  of  the  Legion  of  Honor,  1859. 

The  Lesson. 

Finished  in  the  most  careful  and  elaborate  manner. 


248.  GEORGE  C.  LAMBDIN. 

A  New  Head  on  Old  Shoulders. 


249.  ARNALDI  CORRODI,  Rome. 

The  Rest  at  Noon. 

This  painting  of  the  very  highest  class,  is  probably  the  finest  repre¬ 
sentative  work  ever  imported  by  Arnaldi  Corrodi. 


250.  L.  ALVAREZ,  Rome. 

Scene  in  Rome — School  Children  taking  their  Morning  Walk. 

251.  The  Adult  Class. 


This  pair  of  paintings  are  of  the  very  highest  order  of  merit,  in  every 

way  first  class. 


47 


252.  CHARLES  EMILE  JACQUE,  Paris. 

Medals,  1861,  1863,  1864.  Cross  of  the  Legion  of  Honor,  1867. 

The  Farm  House. 

The  paintings  of  Jacque  have  advanced  during  the  last  year  perhaps 
as  much  as  those  of  any  other  artist,  and  they  now  command 
prices  that  are  given  for  works  by  Diaz,  Rousseau,  Daubigny, 
Corot,  and  the  very  best  painters. 


253.  NEWBOLD  H.  TROTTER. 

Snowed  Up. 


254.  CHARLES  LANDELLE,  Paris. 

Medals,  1842,  1845,  1848  and  1855.  Cross  of  the  Legion  of  Honor,  1855. 

The  Beautiful  Zerlina. 

Landelle  is  always  beautiful  in  his  art ;  subject,  color,  form  and  tone, 
find  always  proper  rendering  from  his  skillful  brush.  This  is  a 
picture  to  be  loved. 


255.  E.  H.  MAY,  Paris. 

Medal.  1855. 

The  Masquerade. 


256.  CARL  SUHRLANDT,  Schwerin. 

Young  Italian  Girl. 


48 


257.  F.  SIMMONS,  New  York. 

Abraham  Lincoln. 

A  splendid  bronze  bas  relief. 


258.  GUSTAVE  DE  JONGHE,  Paris. 

Medals,  1863,  1868  and  1870. 

The  Music  Lesson. 

During  the  past  year  the  ■works  of  De  Jonghe  have  met  with,  in  his 
case,  an  unprecedented  demand  :  and  it  is  admitted  that  he  will, 
without  doubt,  be  the  successor  of  Alfred  Stevens  in  the  estima¬ 
tion  of  connoisseurs. 


259.  LOUIS  JIMINEZ,  Rome. 

The  Attentive  Listener. 

This  is  the  only  specimen  by  this  eminent  artist  painted  in  oil  in  the 

collection. 


260.  G.  CASTIGLIONE,  Paris. 

Inspecting  her  Treasures. 

A  choice  picture  by  an  artist  who  is  justly  obtaining  a  first  place  in 
art  estimation. 


261. 


LADISLAS  BAKALOWICZ,  Paris. 
The  Tease. 

One  of  this  artist’s  best  examples. 


49 


262.  EDOUARD  J.  C.  HAMMAN,  Paris. 

Medals,  1853,  1855,  1859,  1863;  Cross  of  the  Legion  of  Honor,  1864. 

Tender  Moments. 

The  reputation  acquired  by  Hamman  is  not  to  be  wondered  at,  wink- 
contemplating  this  work  of  his  genius. 


263.  HENRI  PIERRE  PICOU,  Paris. 

Medals,  1848  and  1857. 

Hunt  the  Ring. 

264.  Guess  my  Name. 

• 

These  two  pictures  are  the  originals  after  which  the  engravings  were 
made.  They  were  disposed  of  at  the  Derby-Everard  Sale  last 
Spring  at  $1000  each. 


265.  W.  AMBERG,  Berlin. 

Retrospection. 

Of  all  the  paintings  by  Amberg  that  have  ever  been  imported  or 
painted,  as  far  as  the  knowledge  of  Mr.  Haseltine  extends,  this 
is  the  most  lovely.  It  cannot  fail  to  obtain  the  greatest  attention 
and  commendation  from  those  who  love  art. 


» 


266.  GIOYANI  ROTA,  Paris. 

Sweet  Strains. 

Although  we  cannot  hear  them,  it  requires  but  little  effort  of  the 
imagination  to  recognize  that  nothing  else  would  harmonize 
with  the  artistic  qualities  of  the  picture. 

4 


50 


267.  '  G.  FERRARI,  Rome. 

The  Music  Party 

This  is  the  most  important  of  all  the  pictures  by  this  artist  in  the 
collection.  It  is  a  powerful  picture. 


268.  F.  MOORMANS,  Paris. 

The  Music  Lesson. 


269. 

JULES  GOUPIL,  Paris. 

Reverie. 

270. 

Waiting. 

A  pair  of  paintings  exceedingly  attractive,  and  rendered  as  only  Jules 
Goupil  can  do.  They  are  worthy  of  great  praise. 


271.  P.  SOLTAU,  Paris. 

Father  Clement. 


* 

272.  CARL  SUHRLANDT,  Schwerin. 

After  Rosa  Bonheur. 

Ploughing. 


51 


FIFTH  EVENING’S  SALE. 


j  t 

,  • 

*273.  L.  DOUSSAINT. 

View  in  Normandy. 

274.  M.  KOLLOCK,  Brooklyn. 

Lake  George. 

274a.  ISAAC  L.  WILLIAMS. 

Lake  Como. 


275.  TREVOR  McCLURG,  Pittsburgh. 

After  Coutoure. 

Page  and  Hawk. 

This  excellent  copy  of  the  most  famous  picture  by  Coutoure,  was 
pronounced  by  that  great  artist  himself,  as  the  best  copy  ever 
made  of  the  painting. 


52 


276. 


THOMAS  SULLY,  (deceased.) 
Domesticity. 

This  is  one  of  the  most  important  works  of  Sully. 


277.  H.  HUMPHREY  MOORE,  Tangier. 

Gipsy  Family,  near  Granada. 

»  • 

This  picture  is  the  production  of  one  of  the  most  talented  of  our 
American  painters  abroad.  Mr.  Moore  bids  fair  to  win  for  him¬ 
self  a  high  place  in  the  World  of  Art. 


278.  EMILE  LEVY,  Paris. 

Grand  Prize  of  Rome,  1854;  Medals,  1859,  1864  and  1866;  Cross  of 
the  Legion  of  Honor,  1867  ;  Medal,  1867,  E.  U. 

Love’s  Whispers. 

An  exquisite  picture  by  one  of  the  most  celebrated  artists  in  Europe. 


279.  EDOUARD  ZAMACOIS,  (deceased.) 

Medals  1867,  1868  and  1870. 

The  Halberdier. 

A  rare  and  beautiful  example  of  this  Master  in  xVrt.  In  tone  and 
color  this  picture  cannot  be  surpassed  even  by  the  artist’s  larger 
works. 


53 


280. 

*  281. 

282. 


283. 

284. 


F.  RICCI,  Rome, 
The  Challenge. 
The  Acceptance. 


WILLIAM  ADOLPHE  BOUGUEREAU, 

♦ 

Prize  of  Rome,  1850;  Medals,  1855,  1857  and  1867. 

Legion  of  Honor,  1859. 

The  Vintage  Maid. 

If  there  is  one  artist  more  than  another  whose  name  and  works  are 
familiar  to  American  buyers,  it  is  certainly  Bouguereau.  Not 
only  is  he  known,  but  his  productions  are  always  in  the  greatest 
demand  and  command  the  most  exalted  rates.  This  is  a  superb 
example. 


Paris. 

Cross  of  the 


CARL  MULLER,  Dusseldorf. 

Gold  Medal  of  Prussia,  1869. 

Happiness  and  Charity. 

Very  small  pictures  by  this,  the  most  famous  artist  of  this  class  of 
subjects,  have  been  sold  for  enormous  sums.  It  is  probable  that 
no  more  important  work  by  Carl  Muller  was  ever  in  the  United 
States. 


LADILAS  BAKALOWICZ,  Paris. 

In  the  Boudoir. 

Certainly  one  of  the  largest  pictures  ever  exhibited  in  this  country 
by  this  illustrious  painter. 


54 


285.  W.  AMBERG,  Berlin. 

Abstraction. 


V  4 

A  picture  of  fine  subject  and  quality,  and  well  calculated  to  adorn 
any  dwelling. 


286.  A.  ROMAKO,  Rome. 

Narcissus. 


287.  C.  EDOUARD  BOUTIBONNE,  Paris. 

Medal,  1847. 

C’est  Lui ! 

During  the  last  five  years,  it  seems  as  though  the  whole  world  was 
in  competition  to  secure  good  specimens  of  this  painter.  Cer¬ 
tainly,  nothing  superior  by  him  has  ever  been  seen  in  Philadel¬ 
phia. 


288.  LADILAS  BAKALOWICZ,  Paris. 

Seeking  for  Knowledge. 

This  is  certainly  one  of  the  finest  examples  by  this  celebrated  artist 
ever  shown  to  the  American  public. 


55 


289.  JULES  RICHOMME,  Paris. 

Medals,  1 840, 1842,  1861  and  1863.  Cross  of  the  Legion  of  Honor,  1867. 

At  the  Font. 

Although  Richomme  has  been  famous  for  twenty-three  years,  yet  so 
well  is  he  appreciated  in  Europe  that  but  few  of  his  pictures 
have  found  their  way  to  this  country.  This  is  the  first  example 
that  Mr.  Haseltine  has  owned. 


290.  Gr.  CASTIGLIONE,  Paris. 


The  Bird  Cage. 

Very  important  as  a  work  of  art,  and  very  beautiful  as  a  picture.  It 
is  rare  to  find  a  painting  so  attractive  in  every  respect. 


291.  M.  LEMAIRE,  Paris. 

The  New  Song. 

A  splendid  picture  and  a  very  expensive  work. 


292.  F.  LIARDO,  Rome. 

Sociably  Inclined. 

A  picture,  that  by  its  humour  must  interest  both  old  and  young,  and 
by  its  art  those  who  love  art. 


■* 


56 


293.  R.  TUSQUETZ,  Rome. 

Wayside  Devotion. 

A  stop  must  be  made  here  to  notice  this  example  of  Tusquetz.  In 
Rome  and  Paris  the  fame  of  the  artist  widespread  and  recog¬ 
nized,  while  in  this  country  he  is  comparatively  unknown,  but 
cannot  remain  so  when  he  sends  such  art  as  is  contained  in  the 
specimen  in  this  collection.  To  say  that  this  picture  is  the  equal 
in  merit  to  the  finest  works  of  Jules  Breton,  is  not  saying  too 
much. 


294.  LOUIS  GEORGES  BRILLOUIN,  Paris. 

Medals,  1865  and  1869. 

After  the  Breakfast. 

This  specimen,  fresh  from  the  Custom  House  and  never  before  seen 
in  America,  will  appeal  strongly  to  connoisseurs.  Low  in  tone 
and  tender  in  color,  it  makes  a  complete  work  of  art  of  the  high¬ 
est  class. 


295.  ED.  NAVONE,  Paris. 

The  Toilet. 

This  is  by  far  the  most  beautiful  and  important  ofyhis  artist's  works 
that  Mr.  Haseltine  has  ever  seen.  It  is  a  picture  to  be  sought 
for,  bought,  and  greatly  prized. 


296.  J.  J.  A.  LE  COMPTE  DUNOUY,  Paris. 

Medals,  1866  and  1869. 

Market  Scene  in  Pompeii. 

Painted  in  the  best  manner  of  Gerome,  this  picture  is  a  splendid  ex¬ 
ample,  one  might  say,  of  Gerome  but  in  name.  The  medals  re¬ 
ceived  indicate  the  estimation  in  which  his  art  is  held  abroad. 


57 


297.  0.  C0RTAZZ0,  Paris. 

Prepared  for  the  Promenade. 

The  works  of  Cortazzo  having  become  greatly  sought  after  by  those 
who  collect  the  best  art,  his  prices  have  greatly  advanced,  and 
his  pictures  are  seldom  seen  for  sale. 


298.  F.  ANDRIOTTI,  Rome. 

Page  and  Pets. 

A  most  brilliant  picture,  beautiful  in  subject  and  exquisite  in  color 
and  drawing.  Any  collection  in  the  land  could  afford  to  enclose 
such  a  gem.  * 


299.  FRANZ  VINCK,  Brussels. 

Awaiting  the  Arrival. 

A  beautiful  picture,  painted  in  the  style  of  Baron  Leys,  his  master. 
It  should  commend  itself  to  those  who  love  true  art. 


300.  F.  GONIN,  Rome. 

After  Dinner  in  the  Olden  Time. 

It  is  seldom  that  Mr.  Haseltine  has  to  exhibit  so  splendid  a  picture. 
It  has  only  to  be  seen  to  be  admired,  and  its  possessor  to  be 
envied. 


58 


301.  A.  VELY,  Paris. 

The  Troubador. 

Certainly  a  superb  work ;  although  the  subject  has  been  treated 
often,  yet  rarely  in  so  artistic  and  skillful  a  style.  No  one  could 
hope  or  expect  to  see  a  more  perfect  rendering  of  the  subject. 


302.  JUAN  A.'  GONZALEZ,  Paris. 

Self  Satisfaction. 

A  fine  example  of  the  popular  school. 


303.  EDMUND  CASTAN,  Paris. 

Before  the  Shrine. 

Words  are  wanting  to  adequately  express  tne  merits  of  this  great 
picture.  The  subject  is  fine,  the  composition  and  drawing  with¬ 
out  fault,  and  the  painting  above  criticism.  It  is,  moreover,  the 
most  important  picture  by  Castan  that  has  ever  been  in  America, 
to  Mr.  Haseltine’s  knowledge. 


304.  A.  HEUILLANT,  Paris. 

An  Idyll. 

This  is  an  unusual  painting.  Full  of  the  greatest  merit,  it  is  yet  en¬ 
tirely  novel  in  its  treatment  aiyf  effect,  and  marks  a  new  depart¬ 
ure  in  the  world  of  art.  Ten  years  ago  such  a  picture  would 
have  excited  the  greatest  possible  remark  from  its  radical  oppo¬ 
sition  to  established  rules.  Heuillant  is  one  of  the  recognized 
great  men  of  France. 


59 


305.  GIOVANNI  ROTA,  Paris. 

The  Visit  to  the  Gallery. — In  the  Time  of  the  Directory. 

No  one  can  but  pause,  before  this  painting,  attracted  by  it;  and  to 
pause  is  to  praise  and  to  admire.  Certainly  a  more  attractive 
picture  cannot  be  presented. 


306.  J.  J.  A.  LE  COMPTE  DUNOUY,  Paris. 

Medals  1866  and  1869. 

The  Entrance  to  the  Mosque. 

Like  No.  296,  this  is  a  very  fine  expression  of  this  favorite  painter. 


307.  EDOUARD  RICHTER,  Paris. 

The  Temptation  of  Faust. 

Anything  more  magnificent  than  this  picture  it  is  difficult  to  conceive 
of.  Resplendent  in  color,  it  is  rich  in  tone;  splendidly  drawn 
and  composed,  it  is  crowded  with  effects  the  most  difficult  of 
treatment  and  the  grandest  in  conception. 


308.  GUSTAVE  BOULANGER,  Paris. 

Prize  of  Rome,  1849.  Medals,  1857,  1859  and  1863.  Cross  of  the 
Legion  of  Honor,  1865.  Instructor  of  the  Government  School 
of  Art,  1869. 

Hercules  at  the  Feet  of  Omphale. 

This  is  the  finest  and  most  important  work  of  the  Master  that  has 
ever  been  imported,  and  is  not  only  one  of  the  best  that  he  has 
painted,  but  one  of  the  grandest  and  most  beautiful  of  modern 
pictures. 


60 


309.  JAMES  TISSOT,  London. 

Medal,  1806. 

The  Abduction. 

Tissot,  though  often  represented  in  this  country,  has  probably  never 
been  so  by  so  splendid  a  production  from  his  pencil.  By  art 
critics  and  collectors,  both  abroad  and  at  home,  this  is  con¬ 
sidered  his  most  famous  picture.  It  is  really  fascinating. 


310.  W.  H.  SHMIDT,  Munich. 

The  Good  Brother. 

Particular  attention  is  requested  to  the  tone,  splendid  drawing  and 
general  effect  of  this  painting.  It  certainly  is  worthy  to  rank 
and  hang  with  the  best  art. 


311.  GUSTAV  JUNDT,  Paris. 

Medals,  1868  and  1869. 

Flowers  for  the  Golden  Wedding. 

A  superb  painting,  executed  by  the  best  pupil  of  Breton,  which  ranks 
him,  in  most  respects,  the  equal  of  the  master.  It  excited  great 
interest  while  in  Paris,  and  after  being  purchased  for  America, 
could  have  been  resold  at  an  advanced  price.  It  is  needless  to 
say  that  it  is  a  very  expensive  work. 


> 


312. 


J.  CAROLUS,  Brussels. 

The  Visit  to  the  Studio. 

One  of  the  most  interesting  of  his  pictures  ever  exhibited. 


61 


313.  F.  H.  KAEHMERER,  Paris. 

The  Fete  Day — A  Young  Egyptian  Decorating  Images. 

A  fine  work  of  art  by  this,  probably,  the  best  pupil  of  Gerome.  A 
picture  about  the  size  of  this,  containing  several  moderate-sized 
figures,  is  held  in  New  York  at  $4000. 


314.  LEON  PERRAULT,  Paris. 

Medal,  1861. 

Tired  Out. 

The  art  of  Perrault  is  always  esteemed;  and  his  many  beautiful 
works  that  have  been  exhibited  from  time  to  time,  have  caused 
the  art  public  to  look  forward  to  a  new  pleasure,  whenever  the 
announcement  is  made  that  a  picture  of  his  is  on  exhibition. 
This  assuredly  will  not  disappoint  such  expectation. 


315.  CHARLES  LANDELLE,  Paris. 

Medals,  1842,  1845,  1848  and  1855.  Cross  of  the  Legion  of  Honor, 

1855. 

Haidee. 

As  choice  a  picture  as  any  one  could  wish  to  see  or  own  ;  and  as  an 
example  of  Landelle,  it  is  truly  first-class. 


316.  Gr.  FERRARI,  Rome. 

The  Lesson. 


A  beautiful  and  artistic  picture. 


62 


317.  EDOUARD  RICHTER,  Paris. 

Interior  of  the  Cathedral  in  Brussels. 

The  architectural  painting  and  rendering  of  effect  in  stained  glass 
are  simply  wonderful.  The  Cathedral  is  before  us  we  might  say 
in  reality,  with  all  its  grandeur  and  gorgeousness  of  rich  brilliant 
effects  of  color  and  light. 


318.  .1.  A.  NEUHEYS,  Brussels. 

The  Portrait. 


This  splendid  painter  ranks  with  Florent  Willems,  and  holds  high 
place  with  him  in  the  world  of  art.  This  is  a  superb  work. 


319.  F.  AUGUSTE  BONHEUR,  Paris. 

Medals,  1852,  1851,  1859,  1861  and  1863  ;  Cross  of  the  Legion  of 

Honor,  1867. 

Driving  Cattle  Home  in  the  Afternoon. 

It  seems  useless,  in  the  presentation  of  such  a  picture  for  criticism, 
to  say  anything  in  its  praise;  the  figures,  with  their  varied 
action — the  landscape,  so  full  of  light  and  truth,  speak  stronger 
and  fuller  and  louder  than  any  praise. 


320.  B.  BURNIER,  Brussels. 

The  Veteran’s  New  Occupation. 


A  superb  cattle  picture  with  splendid  effect.  The  drawing,  composi¬ 
tion,  color  and  sentiment  of  the  painting  are  all  first  class. 


63 


321.  P.  MICHETTI,  Paris. 

Landscape  and  Sheep. 

A  perfectly  exquisite  gem. 


322.  CHARLES  FRANCOIS  DAUBIGNY,  Paris. 

Medals,  1848,  1853,  1855,  1857  and  1859;  Cross  of  the  Legion  of 
Honor,  1859;  Medal,  First  Class,  1867,  E.  U. 

Twilight  on  the  Seine. 

A  perfectly  magnificent  painting,  and  one  worthy  of  the  highest 
laudations.  Only  the  master  could  so  truthfully  and  conscien¬ 
tiously  depict  this  phase  of  nature. 


323.  A.  R.  YERON,  Paris. 

Cloudy  Day  in  Lorraine. 

Probably  nothing  by  this  artist  equal  to  this  has  ever  been  imported, 
although  not  as  large  as  some  of  his  pictures,  it  is  a  first  class 
effort  of  this  first  class  painter. 


324.  CHARLES  JOSEPH  BEAUVERIE,  Paris. 
View  at  Cernay — Department  of  Seine  et  Ooise. 


This  picture,  full  of  the  characteristics  of  Daubigny,  is  entitled  to 
the  highest  praise,  and  should  excite  the  liveliest  competition. 


64 


325.  J.  R.  WOODWELL,  Pittsburgh. 

Cernay  la  Ville. 

This  beautiful  picture  was  painted  in  Paris. 


326.  Iv.  HEILMEYER,  Munich. 

Scene  in  Bavaria. 

327.  Do.  Companion. 

An  exceedingly  fine  pair  of  paintings  from  this  illustrious  centre  ol 

art. 

328.  ISAAC  L.  WILLIAMS. 

Landscape. 

329.  P.  SURREAU,  Paris. 

Game. 


330. 


J.  S.  THOMAS. 
A  Bachelor’s  Table. 


3unp  Qil  mi  IGflj, 
anb  llf|, 

1874. 


